Theatre Junction’s Company of Artists is a performance ensemble, which, since its inception in 2006, has presented itself as markedly international, multilingual, and multidisciplinary. Led by Artistic Director Mark Lawes, the company is comprised of actors, dancers, musicians, and filmmakers with unique skills and backgrounds. The ensemble has become a group of high level “performer auteurs” in a variety of fields.


Recently, the company created the full-length piece Sometime Between Now And When the Sun Goes Supernova, which was incubated in Paris and developed at Théâtre de Gennevilliers, where Mark Lawes was selected as a laureate of the prestigious International Artist in Residence Program funded by the City of Paris and the French Institute at Les Récollets. Supernova premiered at Theatre Junction GRAND in March 2012 and toured to Théâtre Aux Écuries in Montreal.

Since then, the ensemble has developed an artistic partnership with Théâtre Aux Écuries where their latest work Everybody Knows This Is Nowhere was developed in residence and has been invited for the French premiere in November 2015.


This season in Calgary, the company plans to increasingly assume the proportions of a “factory” to broaden its scope. This will be accomplished by expanding sessions of experiments and research in their laboratory, located in Theatre Junction’s Studio as a part of the TJLAB sessions where audiences will be able to follow the company’s work in progress.



Sometime Between Now And When The Sun Goes Supernova

“SUPERNOVA amplifies the discordance of our modern hyper-reality, illuminating the dream-like state of the global village”    – Museum of Contemporary Art Calgary


Created in 2013 in Calgary, Sometime Between Now and When The Sun Goes Supernova is multidisciplinary creation exploring a hyper-accelerated world, where the familiar rubs shoulders with the strange. Inspired by Marshall McLuhan’s theories on media which essentially predicted the internet 50 years before its application, Sometime Between Now And When The Sun Goes Supernova is an inquest, one that investigates manifestations of personal isolation in an increasingly connected globalized world.  The performers are caught on the soundstage of a B-horror movie or a pornographic film; yet the setting could be a suburban home. Amnesia flirts with psychosis in a world where we feel the convulsions of a hyperactive, digital, consumer society. Sometime Between Now And When The Sun Goes Supernova was presented at Théâtre Aux Ecuries in Montréal from May 28 – 30, 2014.

For three months during the summer of 2012, Lawes and the company developed Sometime Between Now And When The Sun Goes Supernova under the auspices of the City of Paris and the l’Institut français international art-in-residence program at Les Récollets.


For touring enquiries please contact Phil Cimolai

Phone: 403.830.5379

Email: phil@theatrejunction.com


Read Mark Lawes’ Interview on Supernova

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Everybody Knows This is Nowhere

“A mediation through dance, music, and in particular body language and movement that transcends the limitations of verbal language”   – Brad Simm, Beatroute



Everybody Knows This Is Nowhere is set sometime after the cultural, economic, and political impasse of the 21st century. Inspired by the “last man” of Nietzsche and the “last woman” of Lana Del Rey, passing through the American dream to the other side of emptiness, it is an artistic exploration of the mechanics of the disenchantment of the Western world: How did we get here? What happened to us? Are we in a desert or on the set of a 1950s Hollywood western? In an expressionist cabaret or a decrepit motel room? On stage lies an empty billboard, a transmission radio, and four solitudes whose stories of broken love bring back memories that haunt us and, in part, define who we are. In Everybody Knows This Is Nowhere the future becomes a retrospective: it is an active inquiry into the possibility for re-enchantment, to be found in the cracks of lost and broken dreams.

Everybody Knows This Is Nowhere combines theatre, performance art, pop music, and video installation. It deals with fragments, pieces of a puzzle, partial stories, lost memories, historical references, personal fantasies, and projections. The stage becomes a collective (re-) construction site, a space to sift through the archive of the past and imagine possible futures together.

In contrast to traditional forms of narrative, Lawes and his troupe of actor/dancer/musicians employ a thematic and aesthetic point of view to examine the work of some of our great cultural pillars, creating a type of active, communal meditation. Through the use of multiple languages and disciplines, Everybody Knows This Is Nowhere explores the question of time and space and, in particular, the present moment in which we construct possible worlds together, in real time.

Theatre Junction’s latest work Everybody Knows This Is Nowhere premiered at Theatre Junction GRAND in February 2015, and will subsequently tour to Théâtre Aux Écuries in November 2015. The latter through a creative residency generously supported its development in September 2014.




For touring enquiries please contact Phil Cimolai

Phone: 403.830.5379

Email: phil@theatrejunction.com


View the Gallery

View the Press




Mark Lawes works primarily as a creator of experimental performance with an international, multidisciplinary company of artists. His work is created organically out of a friction between fragments of history, visual art, contemporary dance, music, and an alphabet of material coming from dramaturgical research. All of this is put in motion through a process of improvisation. Full-length works include the trilogy Little Red River (2008,) On the Side of the Road (2009), and Lucy Lost Her Heart (2011), which toured to World Stage in Toronto and to Usine C in Montreal.


In 2012, Lawes was selected as laureate of the City of Paris/Institut Français art-in-residence program at Les Récollets to begin research for Sometime between Now and When the Sun Goes Supernova, which premiered in Calgary and subsequently toured to Théâtre Aux Écuries in Montreal in 2014.


Lawes has collaborated with musicians, filmmakers, choreographers, and directors in opera, theatre, and dance. In 2003, he lived in Paris where he worked on projects at l’Opéra national de Paris, le Théâtre de l’Athenée, le Scène nationale d’Orléans, the Abbey Theatre in Dublin, and the Steirischer Herbst theatre festival in Graz, Austria.


Lawes and his company of artists were invited to Théâtre Aux Écuries in Montreal in September 2014 to work on their latest creation Everybody Knows This Is Nowhere.  Everybody Knows This Is Nowhere premiered at Theatre Junction GRAND in February of 2015 and will tour to Théâtre Aux Écuries in November 2015.



Raphaële Thiriet studied theatre in France at la Conservatoire national de région de Toulouse, learning the Grotowski technique under Henry Bornstein. Upon graduation in 1997, she attended the l’Université d’Aix-en-Provence, where she studied philosophical and political views on theatre. In 2001, she honed her dramaturgy and acting skills under Angela Konrad, dramaturge and artistic director of the In Pulverem Reverteris company. While there, Raphaële performed in works such as Time Is Out of Joint – Part 1, 2, & 3, Richard III, and Traumzeit, and toured throughout France and Germany. She has worked with choreographers Heddy Maalem and Emilio Calgagno (Ballet Preljocaj) and with several other companies in France including Ma Voisine S’appelle Cassandre on works by contemporary writers such as Valère Novarina, Edouard Glissant, and Roland Schimmelpfennig. Recent work includes Les Instituteurs Immoreaux (inspired by the writings of Donatien Alphonse Sade) with the company Les Travailleurs de la Nuit and Martin Crimp’s The Country, directed by Chris Abraham of Crows Theatre (Toronto). Raphaële has been part of Theatre Junction’s company of artists for the past six years, collaborating as co-writer, performer, and dramaturge.



Luc Bouchard-Boissonneault’s training in martial arts at an early age has been an influence throughout his career. Through karate, he learned about the philosophy of the “other,” of listening to the self, and of balance in the game of conflicting forces. Later in life, Luc became interested in the social dance phenomenon and discovered swing, which he practiced for several years. Intrigued by the body and physicality, Luc pursued a degree in contemporary dance at the University of Québec in Montréal (UQAM), which quickly propelled him into the world of professional dance.


As an interpreter, Luc has worked with Dave St-Pierre on the creation of Un Peu de Tendresse Bordel de Merde, which toured internationally, including performances in the prestigious Festival d’Avingon, as well as with Québec choreographer Virginie Brunelle in Les Cuisses à L’écart du Coeur (2006), Complexe des Genres (2011), and Plomb (2013). Luc is based in Montreal and has been part of Theatre Junction’s company of artists for the past four years.



Melina Stinson is a dancer and choreographer based in Montreal. She is an ongoing interpreter for, and collaborator of Calgary’s Theatre Junction and Montreal’s Lost and Found with whom she has toured and created in France, Canada and Mexico over the last three years. When she isn’t working for these two companies, she is either creating her own work or dancing for other companies and choreographers such as Lara Kramer danse, Carré des Lombes, Bouge de là, Human Playground, Pulse and Puppet, Woo Me Myth, Taryn Javier, Manon Oligny and Mélanie Demers. Melina is excited to be working in Montreal with Dorian Nuskind-Oder for the first time in 2015.


Melina first discovered movement through urban dance in high school. As she continued her studies in dance at the University of Calgary and then in Montreal, she kept searching for the freedom she found in her initial dancing experiences. Now, Melina is increasingly interested in the body’s sensorial connection to common sense and empathy. Implicit physical communication among performers and audience is what keeps drawing Melina back to the studio and stage. Melina is based in Montreal and has been part of Theatre Junction’s company of artists for the past four years.



Arran Fisher is a Calgary-based performer, composer, and music producer who has worked with a multitude of local and international artists. He seeks to tap into the emotional resonance of any given situation, whether it is film, theatre, live recording, musical performance, or studio production.


As a collaborative element, Fisher’s music doesn’t adhere to a set genre or instrumentation. Past performance highlights include works conceived and performed with his former band The Summerlad, such as City of Noise (2005), an extended piece for 17 musicians created for the High Performance Rodeo, and The Passion of Joan of Arc (2006), a feature-length live silent film soundtrack.


As a musician, Fisher has toured internationally with bands Woodpigeon and The Summerlad and has appeared on over a dozen releases as a main performer with these two bands. His current musical outlets are country-punk trio Lucky Sonne and his personal folk-rock project, Ship Shape. His film work includes the soundtrack for indie feature One Night in Seattle and the score for a promotional film for the United Nations on behalf of the Emirate of Qatar. Recording production credits under his Acoustikitty Studio banner have appeared on dozens of albums in a variety of genres. As a producer, his work has received the Polaris Prize and Western Canadian Music Award nominations. Fisher has been a part of Theatre Junction’s company of artists for the past two years.



Kyle Thomas is a Calgary-based filmmaker and musician and alum of the Mel Hoppenheim School of Cinema at Concordia University in Montreal. His short film Not Far From The Abattoir (2011) was awarded top prizes at the Calgary and Edmonton International Film Festivals for short format work by an Alberta-based director, and was screened in competition at SXSW 2012. Thomas’ latest short film The Post (2013) was presented at Cannes 2013 as part of Telefilm Canada’s Not Short On Talent program. A 2014 recipient of the prestigious Lieutenant Governor General of Alberta Arts Award, Thomas has completed his first feature film, The Valley Below, a multi-narrative drama set in the bad lands of central Alberta. The film was produced with the support of Telefilm Canada and the Alberta Media Fund, and had its world premiere at the Toronto International Film Festival in 2014.


“A mediation through dance, music, and in particular body language and movement that transcends the limitations of verbal language.”Brad Simm, Beatroute Magazine


“The juxtaposition of the suburban and the solitude…is stunning and moving”Stephen Hunt, Calgary Herald


“A brilliantly conceived multimedia exploration of interstices, both temporal and spatial, that we, as members of Western society, currently find ourselves in”Prof. Maria Euchner, PhD, University of Calgary


“A vibrant, surreal and often quite funny combination of spoken word, dance, striking video, film sequences and haunting original music”Stephen Hunt, Calgary Herald


“Haunting, catastrophic, addicting — this performance covers all bases.” – Lifestyle Magazine


“ I very much hope that this group of artists can continue their difficult while not commercial way of theatrical work in the future. I strongly believe that Theatre Junction will soon gain international reputation.”Almut Wagner



Sometime Between Now And When The Sun Goes Supernova – Press
Everybody Knows This Is Nowhere – Press


Upcoming Tours:


The Theatre Junction’s Company of Artists has been developing an artistic partnership with Théâtre Aux Écuries for the last three years. This partnership lead to the residency of Everybody Knows This Is Nowhere in September 2014, and has now been invited back for its French premiere in November 2015.


November 3rd – November 7th 2015

Everyone Knows This Is Nowhere
Théâtre Aux Écuries, Montréal
7285, rue Chabot
 Montréal (Québec)




From October 1st to 11th 2015, Mark Lawes is invited to Paris by the Consulate General of France in Vancouver in the framework of the “FOCUS Performing Arts” organized by the Institut Français.




Throughout the 2015-16 season,  Theatre Junction’s company of artists will open their studio, the TJLAB, on a regular basis to present experiments and improvisations to a small audience featuring special guests.   Currently we are working with Malcolm Mooney, singer poet and visual artist, probably best known as the original vocalist from the German krautrock band CAN.






Theatre Junction Company’s work would not be possible without the commitment of individuals whose collective donations are channelled directly towards the creation of new work and supporting our ensemble of actors.


Theater Junction Company is recognized as a non-profit corporation by the Canada Revenue Agency. As such, all donations made to the Company are tax-deductible.


Click the button below to donate online:


You can also send a check payable to “Theatre Junction Company” to:
Theatre Junction GRAND

608 1st Street SW

Calgary, AB, T2P-1M6

(403) 205-2922


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Phone: 403.205.2922 ext. 203

Email: mark@theatrejunction.com





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Email: phil@theatrejunction.com




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